What was their approaches and expectations about the visual effects?īecause of the significant overlap between practical builds, costumes and SFX we had a lot of collaborative meetings with the other HOD’s in advance of full methodology planning. J&E were very open to what we as the VFX department could bring to the table.They had plenty of experience from previous films and commercials to understand what was possible, but when you have a show as broad in its requirements and possibilities as Pirates is, it’s all hands to the decks. How was this collaboration with directors Joachim Rønning and Espen Sandberg? ![]() ![]() I had some initial discussions with J&E and we hit it off from there. As soon as it picked back up we were back on board. There was an initial stage of discussions and the the film took a hiatus. Myself and MPC were involved from the earliest days of the film. How did you and MPC get involved on this show? Now he is back into the world of PIRATES OF THE CARIBBEAN. He then took care of the visual effects on THE LONE RANGER, EDGE OF TOMORROW and TERMINATOR GENISYS. In 2012, Gary Brozenich explained to us about the work of MPC on WRATH OF THE TITANS.
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